NYC Angst
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Among the items uncovered during my recent move to the bachelor pad, are several mini-journals from the early 80s, containing all manner of angst-ridden writings. I had moved to New York City by accident (I came cold-turkey from Humboldt County, California for a wedding and never left), and found myself besieged on all fronts with severe culture shock and loneliness (the lovely Carrie Sue having left to go back to California without me). All of this led to my first mid-life crisis, scheduled for the big 30th birthday, when I came this close to literally throwing myself off a bridge.

Here're a few selections from these little notebooks that I carried around with me in my city wanderings. And yes, I am well aware how embarrassingly goofy they are, thank you very much!

Dear God

High Wire Dive

The Red

Call it a Glen

Call it a Life

A Father

Tale of the Empty Mind

In the God Household

Sushi City

A Son

Richard Serra Sculpture

Jewish Guy Takes Back the Night

On the Trains

A few other artifacts from that period are also posted elsewhere, including Anal & Nasal Retentive Ramblings, StringMan & DollarWoman, Large Vegetables and Jer's Story.

Dear God:

What hast thou, in thy dubious wisdom, wrought? What say thee, that thou cast thine eyes my way, that thou might see thy work?

Why, God, am i?

What is thy grand plan for glen?

O God, for a sign of thy design! i ask that thou makest merciful on me, ultimately. Please heareth mine plea, that thy servant offers reverently: for i cannot see what thou doest want of me.

In mine own way i search for thee, quite absorbing all i see, rarely ever feeling free, and never, ever finding thee.

So, where art thou o mighty Lord? Driving in some cosmic Ford on the highways of the galaxy? If that's the solace that thee crave, let me be thy Burma Shave.

Amen

The Great Almighty God insists thee purge thy mental motorists
traversing highways in thy mind, in thine and others of thy kind

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High Wire Dive

the images which splash before my mind's eye form a pool in the center of my brain, and i am on the high dive wire, looking down into the swirling, murky depths. teetering left. teetering right.

the pool is closer, it is farther away, it is throbbing, zooming to the rhythm of my heartbeat, that familiar music. it comes close, it fades away. it swerves to the left, below me.

my eyes are my camera, but my stomach rides the motion and my ears are filled with the jumbled sounds of the waters below.

a giant hand rises up from the fluid, and it is holding a razor, and it shaves my head and it shaves my face and it shaves me all while i'm balancing on the high wire dive, and it is not satisfied with hair. and the long arm with the hand and the razor takes the skin from my cranium and the red drips down to mingle with the swirling image waters, wriggling into the color like it belongs there, like the missing link. it forms an outline in the waters, and the colors begin to congeal, and before the red sheet of blood veils my sight and before i surrender to the liquid gravity, i can see down that long long arm with the hand and the blade and in the coalescing colors i see its shoulder taking form, and a torso and a head.

and the last thing i see as the red overtakes me and i fall sliding down the razor's edge is the face taking form, as i fall in two neat slices into the void, and it is my own.

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The Red

he is irked — seeing the world thru a throbbing red filter. all he can think to do is to smash some... thing or one. he's tired of being jostled about in the turbulent waves of humanity that are the streets of Manhattan - his ankles had been bruised, his ribs smashed, his balance lost one time too many.

an innocent but careless fool crosses his path as he travels full-speed, weaving around slower moving bodies. he smacks into the poor fool (who does not lose his balance), goes into a comical spin, lands hard on the sidewalk and starts to roll from sheer momentum. still rolling at the corner, he hits a spare on a 7 - 10 pedestrian split, finally splashing to a stop in the murky waters of the St. Marks gutter.

and now, he is sitting up comically in the filthy pool, filled with a blind, aimless rage. ah, but where to vent it?

it being a commonplace occurrence on the streets of Manhattan, the fool, careless perpetrator of the deed, had taken his leave long before our hero came to his aqueous rest. and even if the little scumbag had stuck around, what could he have done about it? he himself was equally to blame for careless haste. alas, there was none to blame, and our hero's rage turns to frustration, his violence turns to tears, and he sits there in his filthy puddle, crying and splashing childishly until the Belleview crew arrive to escort him to the relative calm and dryness of his padded cell.

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Call it a Glen

 

take a skin

stuff it with bones and meat

pack it with food and pour blood into it

cram it full with ideas and imagery

jam in some love, some hate, some confusion

top it off with lust

call it a "glen"

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Call it a Life

 

eat and drink

sleep some

eat and drink some more

maybe smoke a little

flex your pencil muscles now and again

think occasionally

move about at random

spend a lot of time making somebody else a lot of money

eat and drink again

sleep a little

call it "a life"

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A Father

 

i had a dream of a different life i led, and it was of a father that i had had there and he was naked and i had feelings about him that i could not express because i knew he was dead. i tried to keep my mind active so i wouldn't think about him, so i wouldn't see myself as his product, so i wouldn't believe myself as possessed by him as i knew i was.

 

and i tried to live my life.

 

i involved myself in things, but i never understood them, could never be at peace with them, could never hold them long enough to know them because whatever i did, he was there, the naked man who made me, restless and relentless, plaguing me with the guilt of the undone, the undoable, the unresolved.

 

and i woke up in my real life with clenched fists, bathed in cold sweat, and i was yelling "you bastard!" at the air.

 

[ed note: this is NOT about MY dad! I don't know what the hell it IS about, but it definitely is NOT about him! Jer's Story IS about him, but only from an ancient and very limited perspective.]

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Tale of the Empty Mind

 

this is the tale of the empty mind. it was being carted around on the body of a man. although its role was to control, it seemed a victim of its transport's whim, although it vaguely knew that they were together in this.

 

and so, it ambled along thru the heart of the great metropolis, day after day after day. the mind let the body eat, it let the body sleep, but it refrained from regulating these and other functions.

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In the God Household

 

god rocks his babies to sleep in cradles made of human rib cages. mrs god bops in to ooh and ahh at the cuteness of this tableau. god winks at her and begins to sing a cozy little melody, which moves the babies to tiny tears of happiness. their tears crystallize on their precious little faces as the breathwind of god's song moves over them, catching the crystals and shattering them into little feather diamonds which scatter across the room, settling in the crevices of the rib cradles.

 

it's a common domestic scene in the god household.

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Sushi City

 

After 20-something years of vegetarianism, I had finally broken down and listened to my inner voice, which kept yelling "I CRAVE SEAFOOD!" I was uncomfortable about this, as it challenged all aspects of my personal politics. In the end, my cravings won out, and I've still never quite come to terms with that. Not long thereafter, I discovered, and fell madly in love with, sushi. This next item is a subconscious groping for self-help to make sense out of this strange and wonderful new experience.

 

it's sushi city.

 

the streets are lined with delicate little slabs of raw flesh, waiting, just waiting to be selected.

 

this is their life: they are birthed, they live and learn, they die, and their raw flesh is consumed.

 

it's better this way: don't char my flesh when i die. i want to go out delicately, subtly.

 

so, before i go, i glide down the sushi streets and check out all the little meats and they beckon me. they say, "be like us, lay bare your flesh and feed it to the world it is the ultimate offering."

 

i'm hep.

 

so i take my blade and start to cut thin slices of meat off my arms. clean little muscle steaks. and i lay them in the sushi streets where they mingle with the other meats. and from my calves and from my thighs and from the cheeks under my eyes, i whittle away at what i was, for what i'll be is more, because i'll be a legend for this feat: yea, tho i die, the world may eat.

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A Son

 

I found several weird items about a drunken son. Honestly, I have no idea how this crap gets into my mind...

 

he sat gnawing on the opening of a thunderbird bottle, his eyes inflamed, focused on the air between us. his face a landscape of tiny volcanoes and lava flow in a surrounding desert of cracked mud, punctuated by the rise of his gnarled nose and the blistering crevice of his mouth, he managed to sort through the various particles in the air before him, at last coalescing a semblance of my image standing over him. "dad?" he managed to grunt. the word shot through me like a rusty razor, pinning my tongue to the roof of my mouth. ˝ of his body seemed to stay on the bench during his spastic rise. in spite of myself, i cringed at his touch. his smell singed my nasal hairs... i could still smell him two days later. his clothes were a ratty nest of assorted filthy rags which were rudimentarily lashed together in such a way as to leave gaping holes here and there. i would have laughed, were he not my son. he did cut a comical figure... always the artist, even in decrepitude. he sat me down and started his mad rap. i'd gotten used to them.

 

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Richard Serra Sculpture, Manhattan

 

Walking just inside the giant, leaning, curved sculpture, 1000000 tons of Richard Serra steel, there's a feeling of impending about-to-fall-overness, especially with the wind rolling like waves over the lean. Watching little trash tornadoes circulating where the great curve cuts the other, opposite curve of stone in front of the Jacob Javitz Federal Building.

 

Walking in there is a metaphor for life in New York City: one pushes fearlessly on with the humungous weight just barely propped and waiting to crush.

 

A new appreciation for Serra: I can understand how he must have felt when one of his assistants was crushed by the hand of creation. If there is a god, he has two hands — one creation and one destruction — and it doesn't appear that one hand knows what the other is doing, if this be the outcome of great art.

 

On the outside arc of the piece is a pool of blue water. On the "dangerous" side, leaning in, is the entrance to the Federal Building and the U.S. Court of International Trade.

 

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Jewish Guy Takes Back the Night

 

Before the angst set in, big-time, there was a brief period when I was enthralled with Manhattan night life. I frequented clubs and bars, mostly keeping to myself and, as I am wont to do, observing. But occasionally, I managed to grow a pair and actually put myself out to make contact with the fairer sex. These occasions were exceedingly occasional anomalous to almost the entirety of the rest of my life. Here is documentation of one such anomaly:

 

He's shy, but willing to overcome it. He's out tonite to see what he can do.

 

He steps into the bar. His eyes are scanners: all the surfaces in there register after a few passes, and — he has evaluated the scene. He might have left, save for the empty bar stool next to a cute, neo-waveish punkette... His animal instincts shift into high gear. He's ready to chose it or lose it and fuck the consequences. He stops at the cig machine, plopping quarters kachink kachink, presses Marlboro and escorts the pack to the bar.

 

His heart is pounding — it's do or die trying on the physical plane of existence. He feels other planes shifting as he moves into the energy vortex that is boy-meets-girl.

 

He deftly opens the pack as he takes the stool, proving, he thinks, that he can do two things at the same time. He orders a beer, igniting the stick (there it is again — the action man of the two simultaneous moves). He hates to smoke, but it gives him something to do. He's GOT to have something to do.

 

The beer comes, he plops a buck on the counter, takes a deep drag, a slug glug o' beer, and is ready to make his move. All of reality is focused here. Pulsation like a fist inside his chest, he's gonna offer her a cigarette.

 

He turns toward her, offering the pack and it flies out of his hand, onto the floor. Fuck. Bends down, picks it up, gives her one, has trouble lighting the match — gets it lit but snuffs it out against her cig-end before it lights. Strikes another one, burns his finger, but gets her stick lit — finally!

 

This display of dashing coolness roils his nerves into a barbed wire tangle. Well, what the fuck, he says, we live to die and die infinitely in the process. This one seems hopelessly botched, his coolness having evaporated from his fashion, and he's back to square one.

 

But the girl seems to understand. In fact, she chuckles at his too-obvious awkwardness. They drink, talk and smoke and it's last call, bar's closing, and she's gone. He's alone again, feeling a bit less dangerous a lady-killer, but ready to lay it on the line again, penetrating deeper into the glossy New York night, seeking out after after hours activity.

 

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On the Trains

 

There are constant reminders to "watch the closing doors." An old guy is rushing, slow-mo, towards the train — the doors are staying open an abnormally long time, seemingly waiting for him. He's gonna make it! He gets to about a foot from the door, and it slams in his face. Move backwards down the train to watch the movie of his surprised, helpless face, window-frame-by-window-frame as the train pulls out of the station.

 

Watch the closing doors. Is this is an insidious plot to keep eyes from meeting? Another subliminal attempt to alienate man from his fellow man? Is it but one tool of many: "keep your eyes on the road," "watch TV," "seeing is believing," "seek and you shall find?" Never look another man in the eye — you might be shocked at what you'd find in there.

 

Trainloads of stray vision paths — I watch them trace from all their eyes like lasers in the hazy car, watch them intersect in shifting patterns, hundreds of pairs of searchlights moving in anarchistic sequence, never shining into the source of another.

 

Watch the closing doors so you don't see each other.

 

Insidious plot or survival mechanism? You decide, but don't look me in the eyes when you tell me.

 

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Last Revised: Thursday, June 26, 2008
©Copyright, Glen Eichenblatt, 2006

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